Arco Straordinario
Zagreb Quartet“Is sound hard on the outside and soft on the inside, or the other way around? How does it taste?”
Composer and pedagogue Srđan Dedić is a pioneer of algorithmic music composition in Croatia. Although he believes programming is a vital component in the process of modern composition, he primarily uses it to enhance the spontaneity and intuitiveness in his music. He composed String Quartet No. 2 for the 100th anniversary of the Zagreb Quartet and their celebratory concert. The structure of the piece is based on six homogeneous fragments, with dynamic transitions connecting contrasting situations, in which the same instrumental consonances are repeated in different contexts. The composition uses complex rhythmic patterns that produce seemingly unconnected sections. In composing the piece, Srđan used his own computer algorithms which he has been developing for over 30 years.
Frano Đurović, a composer with the largest body of work of artistic electronic music in Croatia, is known for fusing experimentation and pop humor. He creates orchestral, chamber, theatrical and cinematic works, and works in multimedia and sound installations. He teaches at the Academy of Music in Zagreb and chairs the Board of Directors of the Porin Music Award. Two bodies, one soul was created as a response to hypocrisy in society, particularly in the context of public condemnation and selective tolerance. The composition reflects Fran’s critique of double standards and questions what freedom even means today – both in society and in art.
Marko Slaviček is a composer and architect focused on acoustics, spatial music and visual arts. He is currently doing doctoral research on the interdisciplinary works of Iannis Xenakis at the Technical University Berlin. His piece Khrōmóphōnon V (from ancient Greek χρῶμα “color” + φωνή “sound, voice”) for string quartet consists of two contrasting movements. Inspired by the concept of chromophony, which explores the function of colour and timbre in music and visual arts, the composition builds a harmonic structure highlighting the nuances of dynamics and articulation. Imitating different colour models and syntheses, the music material juxtaposes harmonic and subharmonic sequences, employing spectral techniques such as modulation and harmonic distortion. Modulation alters the sound’s frequency or wavelength, while harmonic distortion adds multiple harmonics to the principal tone, creating complex sonic textures that evoke diverse nuances and visual sensations.
Dai Fujikura is a London-based composer born in Osaka, Japan. He moved to the UK at the age of 15, where he studied under Sir George Benjamin. He has composed for traditional Japanese and European period instruments, and has written orchestral music, as well as pieces of musical treatre and operas. Dai believes that a group of string instruments, such as a quartet, creates a sound that is more than just a collection of individual parts – almost like a living organism, as if becoming a new instrument. The sound of a string ensemble possesses an elasticity that allows it to be constantly re-shaped, as if its very form were changing. This idea became the inspiration for his piece Aquarius. Dai started imagining what it would feel like to touch this sound, squeeze it, eat it, even. Is sound hard on the outside and soft on the inside, or the other way around? How does it taste? He wanted to create a composition that changes freely, without clear transitions or defined segments. Imagining a flying, flowing form, the title Aquarius perfectly suited the moment in which he was finishing the piece. He happened to learn that the 2,000-year Age of Aquarius was just beginning at the time. Although he knew little about astrology, he could not resist choosing this as the title for his composition.
Founded in 1919, Zagreb Quartet is the first permanent professional ensemble in Croatia. Known for their wide repertoire, they have performed works of classical authors as well as contemporary composers, accomplishing numerous successful tours and earning prestigious awards during their extensive career.
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Zagreb Quartet:
Martin Krpan, violin
Davor Philips, violin
Hrvoje Philips, viola
Martin Jordan, cello
Srđan Dedić: String quartet no. 2
Frano Đurović: Two bodies, one soul*, for string quartet
Marko Slaviček: Khrōmóphōnon V*, for string quartet
Dai Fujikura: String quartet no. 3: Aquarius
*premiere – commissioned by the 33 MBZ